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| what folks are saying |
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| Take Me Home is a rootsy, singer/songwriter collection from one of
the best we've heard. Four Stars! |
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| Maverick Magazine, UK |
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| At time soft and soulful, at others riotous and rowdy ... Wakefield is a
unique and wholly self-evolved performer with that special ingredient |
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Mark Wehner Producer/Host of Americana Tonight Nashville, TN |
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| Mare Wakefield has concocted a mellow, likable country-folk sound on
Take Me Home. The opener,
"I'll Drive," lays down a backdrop of piano, acoustic guitar and drums that works well with Wakefield's
warm vocals. A sad, country-flavored dobro sets the mood for "Pack Up Your Stuff," an emotional downer
with a little vocal help from Amelia White. Both songs have strong melodies and, especially in the latter
case, unwind at their own pace. Given this pacing combined with low-key arrangements and a simple production
(very little reverb, etc.) these songs are imbued with a back-porch quality. Another intriguing quality of
Take Me Home is the addition of Nomad Ovunc's piano in the midst of the fiddles and dobros. It's never
intrusive as in bad country-pop, but is woven into the texture of "Texas" and "Cold River," adding a nice,
unexpected touch. Wakefield is helped along this path considerably by bassist Jim Thacker, drummer Justin
Amaral, fiddler Brian Arrowood, dobroist Kim Gardner and several others. These players, whatever their
individual histories may be, fall into a comfortable groove here, offering an attractive, spare soundscape
for Wakefield's vocals. Things get a bit funkier on "Love vs. the USA," a rockin' bit of gospel complete
with a backing choir. Non-pretentious with a mellow, country-folk sound, Wakefield's Take Me Home offers a
solid group of songs on its own terms. 3 and 1/2 stars. |
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Ronnie D. Lankford, Jr. All Music Guide AllMusic.com |
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| Cozy brilliance ... Could she be the
merger of Maria McKee, Natalie Merchant, Shawn Colvin and Dolly Parton? Wakefield and her guitar
fill a musician's space as if an inherent extension of her soul. There is volume and
symmetry that is as untainted as it is simple. This most elegant component is indeed a rare
find and decrees strength and depth. Feel this music. It absorbs like thirsty skin. |
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Michelle Manker Louisville Eccentric Observer Louisville, KY |
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| Take Me Home is Wakefield's fourth album, and her first in four years.
She relies on both acoustic and electric arrangements, and even strips things down
to one voice, one guitar on "Lullaby." The piano also adds an extra element to many
tracks. Take Me Home sounds great, and Wakefield's an expressive singer. |
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| Sing Out Magazine |
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| The songs, the voice, the band is just plain good! A voice a bit
reminiscent of early k.d. lang, poignant story-telling, diverse scenarios.
Wakefields humor and technique shine from a powerful voice that reaches
both ends of the scale. |
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Nicki Ehrlich Victory Music Review Magazine |
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| Why you arent a national figure already can only be chalked up to the
music business. Your voice, the sublime intelligence of your lyrics and production are first rate. |
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George Maida DJ WCVE FM Richmond, VA |
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| I enjoyed your album [Factory]. I liked your singing, and the songwriting
is unique. I loved the one about the sewing machine... Well done in all |
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Gail Davies producer and RCA recording artist Nashville, TN |
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| More than your typical fly-by-night coffeehouse folk artist [Wakefield is]
musically sophisticated, weaving elements of jazz and bluegrass into her
compositions. Her lyrics read like stream-of-consciousness short stories.
Dont pass up the opportunity to see her perform. |
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Cheryl Eddy San Francisco Bay Guardian San Francisco, CA |
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| Wakefields songs are old school in the best possible way: they have an
honesty and directness that nowadays are hard to find. With her lyrics shes
able to make you think and make you smile ... she even managed to
reincarnate the Ghost of John Denver -- what more can you ask for? |
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Ruben Jonas Schnell NDR (Norddeutscher Rundfunk) German Public Radio, Hamburg |
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| A wonderful singer-songwriter ... I'm glad the rest of the country can be
introduced to her talent. |
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Martin Anderson Music Director and Host WNCW-FM, Spindale, NC |
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| Well-written songs, beautifully sung ... top notch instrumental
accompaniment. |
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Doug Dick WVGN, St. Thomas, Virgin Islands |
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| An arresting collection of folk pop... So immediately accessible it risks
getting overplayed. |
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New Times San Luis Obispo, CA |
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| Your new recording is so excellent it was moved up to heavy on our playlist. |
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Liz Wise KLCC, Eugene, OR |
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| Wakefield is Oregon cafes, small town Texas and twangy Nashville rolled
into one. Her guitar and vocals ache in all the right places ... She resembles an early
Billy Bragg, you'lll want to be in the front fow at her next concert. |
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| Cranky Crow Music Reviews |
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| Reminiscent of Dar Williams, conjuring up the ghost of Johnny Cash. Her voice
is sweet without being saccharine, familiar without sounding like anyone else, and
extremely pleasing to the ear ... The fiddle drew me in, the story line kept me from
leaving. |
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Theresa Hogue Gazette-Times Corvallis, OR |
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| Unbridled tenacity pours out of her. Through her songs she evokes a passion
for music and life on the road. |
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Ashland Daily Tidings Ashland, OR |
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| Rootsy, country-tinged folk ... [Take Me Home] showcases Wakefield's
talents beautifully. |
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Vanessa Salvia Eugene Weekly Eugene, OR |
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| Sweet voice, sensitive lyrics ... with a hint of twang. |
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John Larson Tacoma Weekly Tacoma WA |
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| Introspective and intelligent mix of contemporary folk and Americana. |
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Jeff McDonald Cascade Arts and Entertainment Bend, OR |
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| Refreshing and versatile. |
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Mail Tribune Medford, OR |
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| Wakefield wins over audiences with her Gillian Welch-like voice and
intelligent lyrics. |
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Santa Cruz Sentinel Santa Cruz, CA |
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| A beautiful merging of the simplicity of the best folk and country music with all of the
complexities of human relationships ... The combination of desire and resignation that comes through
on the title cut is particularly moving. I'm actually looking forward to my commute to work tomorrow,
so I can listen again! |
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Mark Stepakoff singer/songwriter Boston, MA |
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| Folky enough to rock a coffee shop near you, rural enough for her to perform
the songs at a state fair. |
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Cooper Lane Baker Weekly Planet Tampa, FL |
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| Introspective yet very much alive...theres a lovely sense of the upbeat,
even in Wakefields most brutally personal moments. |
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Andre Hagestedt Statesman Journal Salem, OR |
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| Mare is sultry, cozy and funny; her voice slips somewhere between sweet
maple sugar and cognac. Mares songs are personal but not agonizing;
intimate, but not ponderous. She seems to hold a laugh behind even her more
serious lyrics--a laugh and another lighter step. |
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The Arcata Eye Arcata CA |
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| Wakefield has a clear, energetic and confident voice that bounces off the
bands thick walls quite well and even holds humor. |
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The Rocket Seattle, WA |
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| Sweet and clever folk-pop. |
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Willamette Week Portland, OR |
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| Good--I liked Wakefields mix of humor and angst. |
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Bob Doran North Coast Journal Eureka, CA |
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| You are sooooo f*cking talented, beautiful, funny. Why arent you on tv? |
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| audience member |
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| Tender songs and a clear voice. |
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The Oregonian Portland, OR |
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| Expressive vocals & poetic writing. |
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The Daily Triplicate Crescent City, CA |
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| Back by popular demand. |
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Tacoma Weekly Tacoma, WA |
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| Wakefields voice can snake through a venue like an invisible conga line,
grabbing listeners and pulling them along with a well-placed rhyme or pointed insight. |
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The Register-Guard Eugene, OR |
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| Stirring vocals. |
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San Francisco Bay Times San Francisco, CA |
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| Wakefield...was the surprise hit of the show. She...delivered a strong
set...and stuck around to sing harmony with just about every performer on
the bill. She has a beautiful voice, endearing stage presence and
writes...with humor. |
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WOW Hall Notes Eugene, OR |
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| Her original songs blend humor and insight about everyday events...with
tenderness and strength. Wakefields laid-back performance style instantly
put the audience at ease, making her shows feel like a circle of friends
rather than a concert. |
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Tanya Igancio The Source Bend, OR |
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| [Wakefields] folk and pop songs are steeped in the everyday with humor and
poignant insight. |
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Auburn Journal Auburn, CA |
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| Mares stronger playing [on Factory] is matched by her maturing voice. The
notes come out easy...shes enjoying herself. |
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Aria Seligmann Eugene Weekly Eugene, OR |
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| Each song draws the listener in to a sort of sacred communion with the
band...Wakefield opens her world to the listener, as each songs evolves into
a charming story. |
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Rebecca Shala The Daily Barometer Corvallis, OR |
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